And fans hoping for a lavish royal wedding like the Duke and Duchess of Cambridge's show-stopping 2011 nuptials will be sorely disappointed; when his relative Prince Mihajlo tied the knot last year it was a low-key affair with the European press even describing the family as 'faded royals'.
Danica's work has appeared in exhibitions all around Europe and she spends much of her time in Paris, describing herself online as a 'dynamic team player' who is fluent in French, Serbian and Spanish.
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Fabre, 58, is a Belgian multidisciplinary artist, playwright, stage director, choreographer and designer whose career had sparked a string of controversies.
Previous works have included throwing live cats in the air, burning banknotes and writing the word 'money' in the ashes, and making drawings with his own blood.
Born in Belgrade, she is officially a citizen of France and, like her fiancé, studied in the UK, graduating from the Chelsea College of Arts in London before embarking on a successful career as a designer.
Indeed, a 2016 trip to Serbia by Camilla and Charles resulted in a brush with royalty for Marinkovic herself who proudly posted a picture of her invite to the reception at the Embassy - along with a snap of Charles greeting the crowds.
And if her social media accounts are anything to go by, Marinković is no stranger to the high life, with photos showing her enjoying a never-ending series of sun-kissed holidays in Seville, Milan and Croatia.
With her husband-to-be unbound by the formalities of public duties like his British counterparts, she will be free to continue working full-time as a graphic designer and dressing however she likes - such as the daring thigh-split Topshop number she wore for her engagement photo.
Belgrade is not the best place for mongering, comparing to other big East European cities.
However, Belgrade has huge amount of good-looking normal Serbian girls and you can try to flirt with them in the nightclubs or bars.
'Mount Olympus is set in antiquity and features 27 actors performing almost solid for a full day, with only three short breaks in the production.
The performance combines dance, physical theatre and dialogue to tell stories based on ancient Greek myths, but twisted and distorted to grotesque extremes.
Mount Olympus, a critically acclaimed work by Jan Fabre, was used to open the Belgrade International Theatre Festival in Serbia last week.